Mobile Fidelity Sound Lab
STUDIOPHONO
Mobile Fidelity Sound LabÀÇ StudioPhono´Â ¸¶½ºÅ͸µ ¿£Áö´Ï¾î°¡ ¿ä±¸ÇÏ´Â ±¤¹üÀ§ÇÑ ´ë¿ªÀÇ Åõ¸í¼ºÀ» ÀçÇöÇÕ´Ï´Ù. Mobile Fidelity Gain2™ Ultra ¾Æ³¯·Î±× Ä¿ÆÃ ½Ã½ºÅÛÀ» ´ã´çÇÏ´Â ¼³°èÀÚÀÎ Tim De Paravicini´Â Áý¿¡ ÀÖ´Â ¾Æ³¯·Î±× ½Ã½ºÅÛÀÌ LPÀÇ È¨¿¡ »õ°ÜÁø À½¾Ç ±â·ÏÀ» Ãæ½ÇÇÏ°Ô ÀçÇöÇÒ ¼ö ÀÖµµ·Ï ³»ºÎ ȸ·Î¸¦ Á¦ÀÛÇÏ¿´½À´Ï´Ù.
Ư¡ Features
MONO AND SUBSONIC FILTER MODE
ÀåÄ¡ »ó´Ü¿¡ÀÖ´Â µÎ °³ÀÇ ¼±Åà °¡´ÉÇÑ Åä±Û ¹öưÀ¸·Î ¸ð³ë ¶Ç´Â ¼ºê ¼Ò´Ð ÇÊÅÍ ¸ðµå¸¦ »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.
Mono ¹Ú½º ¼¼Æ® ¶Ç´Â Mobile Fidelity Sound Lab Bob Dylan ½Ã¸®Áî¿Í °°Àº ¸ð³ë ·¹ÄÚµù, ºóƼÁö ¹× Àç¹ß¸ÅÀÇ ÆÒÀ̶ó¸é Mono ¸ðµå°¡ ºûÀ» ¹ßÇÒ °ÍÀÔ´Ï´Ù. SUBSONIC FILTER MODE´Â À̹ÌÁö ¾ÈÁ¤¼ºÀ» Çâ»ó½ÃŰ°í ´õ dzºÎÇÑ ÅæÀ» »ý¼ºÇÕ´Ï´Ù.
ADJUSTABLE GAIN AND LOADING
¼±Åà °¡´ÉÇÑ Gain ¹× Loading¸¦ »ç¿ëÇÏ¿©, StudioPhono¸¦ ¹«ºù ¸¶±×³Ý ¶Ç´Â ¹«ºù ÄÚÀÏ Ä«Æ®¸®Áö¿Í ¸ÅνÃų ¼ö ÀÖ½À´Ï´Ù.
Àåºñ ÇÏ´Ü¿¡ ÀÖ´Â ½±°Ô Á¢±Ù ÇÒ ¼öÀÖ´Â Åä±Û ½ºÀ§Ä¡ ¹ðÅ©¸¦ ÅëÇØ µµ±¸ ÇÊ¿ä¾øÀÌ ½Å¼ÓÇÏ°Ô Á¶Á¤ÇÒ ¼ö ÀÖ½À´Ï´Ù.
¡ã Åä±Û ½ºÀ§Ä¡ ¹ðÅ©
StudioPhono™´Â ´ëºÎºÐ °íÃâ·Â ¹«ºù ¸¶±×³Ý(MM), ¹«ºù ÄÚÀÏ(MC) ¹× ¹«ºù ¾ÆÀ̾ð(MI) Æ÷³ë īƮ¸®Áö·Î ÀÛµ¿ÇÒ¼ö ÀÖ°Ô °øÀå ÃâÇϽà ¼³Á¤µÇ¾î ÀÖ½À´Ï´Ù. ÀúÃâ·Â ¹«ºù ÄÚÀÏ (MC) īƮ¸®Áö¸¦ »ç¿ëÇÏ´Â °æ¿ì ÃÖ»óÀÇ °á°ú¸¦ ¾òÀ¸·Á¸é ÇϺο¡ ÀÖ´Â DIP ½ºÀ§Ä¡¸¦ ÀÌ¿ëÇØ Æ÷³ë ÇÁ¸® ¾ÚÇÁ ¼³Á¤À» Á¶Á¤ÇؾßÇÕ´Ï´Ù. °¢ ½ºÀ§Ä¡´Â Á¿ì ä³Î¿¡ ¹Ì·¯ ÆÐÅÏÀ¸·Î ¹è¿µË´Ï´Ù.
¸ÕÀú ÀÔ·Â ÀÓÇÇ´ø½º ¼³Á¤ Â÷Æ®¿¡ Ç¥½ÃµÈ °Íó·³ īƮ¸®ÁöÀÇ ±ÇÀå ÀÓÇÇ´ø½º¿¡ µû¶ó °¢ DIP ½ºÀ§Ä¡¸¦ ¹è¿ÇÕ´Ï´Ù. ´ÙÀ½À¸·Î °ÔÀÎ ¼³Á¤ Â÷Æ®¸¦ »ç¿ëÇÏ¿© īƮ¸®ÁöÀÇ ÃÖÀû °ÔÀÎ ¼³Á¤À» ¼±ÅÃÇÏ°í ±×¿¡ µû¶ó DIP ½ºÀ§Ä¡¸¦ ¼³Á¤ÇÕ´Ï´Ù. ¹«ºù ¸¶±×³Ý(MM)ÀÇ °æ¿ì 40dBºÎÅÍ ½ÃÀÛÇÕ´Ï´Ù. ¹«ºù ÄÚÀÏ(MC)ÀÇ °æ¿ì 60dBºÎÅÍ ½ÃÀÛÇÕ´Ï´Ù. DIP ½ºÀ§Ä¡ 1°ú 12¸¦ ÅëÇØ Ãß°¡·Î 6dB¸¦ Ãß°¡ ÇÒ ¼ö ÀÖ½À´Ï´Ù.
¡ã ¼³Á¤ Â÷Æ®
»ç¾ç Specifictions
Gain |
Adjustable from 40dB - 66dB |
THD |
< .01% (MM) / < .012% (MC) |
Load Impedance (MM) |
47,000 Ohms |
Load Impedance (MC) |
75, 100, 500, 1k, 10k, 47k Ohms |
Input Capacitance |
100pF |